Economist and Art Historian

Caroline Dixwell Cabot

 

 

  • Master’s Degree, Art History, Wellesley College;
  • First MA candidate invited to teach at Wellesley College.
  • http://new.wellesley.edu/art/history
  • Highest ranking by student survey as “One of the Best Instructors in the College”.

 

 

 

 

A R T  H I S T O R I A N

       Boston Museum of Fine Arts 

                                                                                  

BOARD OF DIRECTORS,  The Museum of Fine Arts Council.

 http://www.mfa.org/membership/museum-council 

VISITOR, European Decorative Arts and Sculpture. Symposium on 19th century sculpture.

                                       

      Wellesley College

INSTRUCTOR,   Department of Art History, Wellesley College.

CHAIRMAN & CURATOR, Dormitory Art Collection, Davis Art Museum, Wellesley College.

NATIONAL COMMITTEE, Wellesley Friends of Art.

 https://www.davismuseum.wellesley.edu/friends-of-art

 

E C O N O M I S T

      J.P. Morgan & Company

 INTERNATIONAL ECONOMIST,  Research, International Division,

The first woman hired in this role, and one of the first in Europe.

Researched Central Bank loan activity in Latin America.  Initiated inter-bank critique of source material

for international lending teams at J.P. Morgan.

 

C O N S U L T A N T                                    

     ARTLINKGLOBAL

   

ART  ECONOMETRICS and AUCTION ADVISORIES:   

 Proprietary search, authentication and strategic implementation at auctions worldwide

 

See Also: ArtlinkGlobal Auction News Advisories at:  

 http://artlinkglobaladvisory.wordpress.com/

See Also: ArtlinkGlobal Benchmarks for Designers at:  

http://www.houzz.com/ideabooks/22926344

 

 

SEARCH EXPERTISE AND ADVOCACY:

1.  Vet authenticity, condition and provenance in concert with auction house experts

2.  Reference forward detailed high definition photos showing structure, patination and signatures

3.  Engage relationships long established with most major and/or specialty auction houses

4.  Develop value-for-money bid limit strategy in the context of host country economic conditions.

5.  Ascertain and recommend best practices re auction timing, size, place-where, and art “season”.

6.  Submit bids with the ARTLINKGLOBAL screen insuring the collector’s complete anonymity from big data.

7.  Advise collector re bid limit, track auction in simulcast.

8.  Forward bidding outcome in real time.

9.  Arrange payment, packing, insurance and shipping with known fine arts shippers.

10. Where practicable uncrate, inspect, time-stamp photograph and install the purchase.

11.  Provide expert advice on international tax protocols.and art history research.

12.  In the event of sale, proffer research to require the auction house to put on a viable reserve.

13.  Create a secondary sale strategy for any object which is “bought in” and then offered in a private sale.

14.   Recommend conservation experts when needed.

 

VALUE ADDED:

  • ARTLINKGLOBAL advises collectors of all kinds, across all markets both in the US and worldwide.

  • ARTLINKGLOBAL brings valuable expertise to identify best market strategies and practices at auction.

  • ARTLINKGLOBAL  helps collectors realize optimal prices in forming or de-accessioning collections of art and antiques